Tag Archives: National Ballet of Canada

Will Fortune Favour The Bold?

English National Ballet gave the ballet world a jolt last week with the announcement that Royal Ballet principal dancer Tamara Rojo would take over as Artistic Director from Wayne Eagling when he steps down in the autumn of this year. However, at 37 and at the height of her dancing powers, she will be a director who still performs with the company. This has been done in the past successfully – Vladimir Malakhov, for example, is at the helm of Staats Oper Berlin and still performing; that?s not to say that it is always a winning formula. English National Ballet is a company that is fighting for survival as it is, with a dedicated and experienced director – how they will fare with a leader who needs time to do class, rehearse and sew her pointe shoes, remains to be seen.
It is no surprise that Ms. Rojo ended up as a company director. A few years ago she shadowed Karen Kain, Director of National Ballet of Canada and she has been very vocal in the past about her leadership ambitions. Indeed she has admitted that she applied for Monica Mason’s job as director of The Royal Ballet, so not only is she ambitious, those ambitions are lofty ones.
A director who is still dancing brings a lot to the table: they are in touch with the needs of dancers on a daily basis and have a full appreciation of training needs, the rigours of performing and the emotional investment it takes. So, for the dancers, having a director who is also a sympathetic colleague will be a boon. But a ballet company is far more than its dancers, and a director who is spreading herself thinly might not be the salvation a company like this need.
From watching Ms. Rojo performing over the years, and from what I have gleaned from interviews she has given, she is an intelligent, ambitious and fearless woman with a deep understanding of her artform: all attributes that go towards making her an ideal candidate for artistic director of a ballet company. However, I cannot shake the feeling that it is too much, too soon. Delegation will be the name of the game here, as the artistic staff of English National Ballet will have to take more responsibility than before, to cover the shortfall that Ms. Rojo’s own dancing career must surely result in. I’m not saying that she’s being selfish in taking this job and still wanting to dance, but merely that her ambitions may be tripping her up; her dream of leading a company from the wings being realised before she’s ready to relinquish her role of leading it from the stage.
Undoubtedly, Rojo’s international reputation as a dancer will open more doors for English National Ballet and hopefully it will attract new audiences and sponsors. It is a bold move on the part of the board and also Rojo herself, but we know what they say about those who are bold, so hopefully fortune will be on their side. ┬áHere is a case of a series of events happening at just the right time; we just don’t know if all the elements will work until it hits the ground. I sincerely hope it does, because it could be spectacular.

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