2012 was truly a year of plenty. The Olympic and Paralympic Games, and to a somewhat lesser extent the Queen’s Jubilee seemed to rouse everyone into action and were undoubtedly the inspiration for most cultural events on the calendar. This was certainly true in the dance world, with Dance GB and Titian:Metamorphosis at the Royal Opera House being the most celebrated collaborative dance events of the year. While they garnered a lot of publicity, and were commercially successful, they were artistically forgettable for the most part.
Arguably the most important events in 2012, for dance-folk at any rate, happened off-stage. We bade farewell to Dame Monica Mason, Wayne Eagling and Ashley Page as Kevin O’Hare (Royal Ballet), Tamara Rojo (Engligh National Ballet) and Christopher Hampson (Scottish Ballet) acceded three of the most prominent artistic directorships in the country. Although yet to affect any real changes, something tells me that a sea-change is afoot, with Rojo having the most to prove, given her status as an international star.
Regarding what happened on stage during the year, two highlights stick out in the memory. Marking the 20th anniversary of his death, Kenneth MacMillan’s triple bill at the ROH in the autumn was outstanding and a huge tribute to his genius (http://wp.me/p20ZbZ-37). Up at Sadler’s Wells Helgi Tomasson’s San Francisco Ballet made a welcome return with a huge programme of various short ballets proving a wonderful showcase for the company, right across the ranks – they provided us with a surge of inspiration as we headed into the long winter with endless Nutcrackers.
As the rest of world goes into a post-2012 slump, given the changes at the top in the dance community, there should be enough to keep us excited – different repertoire, fresh faces and new creations. Among the highlights are sure to be Alexei Ratmansky’s Romeo and Juliet (National Ballet of Canada, Sadler’s Wells), Northern Ballet’s The Great Gatsby, Wayne McGregor’s Raven Girl (Royal Ballet) and to stop any local complacency setting in, Boston Ballet’s trip to the Coliseum in the Summer, overflowing with neoclassical treats from Balanchine and Forsythe. As always, the year will throw up surprises and disappointments, forgotten treasures and new stars – please 2013, give us your best!